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Die Nacht, Op. 10 no. 3 (C major)
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His vocal acting will surely encourage others to try Himmelsboten, an excellent song, and recitalists may also fancy Sehnsucht which slightly recalls Vaughan Williams, would you believe it? The last phrase is magical. With Op.
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Likewise Opp. Am Ufer is sensitively sung.
At the end of this side come Red Roses dating from and attractive, and a harmonically tricky setting of a poem by Bierbaum sent by Strauss as a sop to a friendly poet whose opera librettos he didn't want to compose! In Op. The first published copies of Op. Here Fischer-Dieskau's verbal enunciation is a dream, and Gerald Moore's pianistic artistry finger technique too!
There are endless musical quotations and some hair-raising top-notes for the singer. The performance is a genuine tour de force, the music absolute joy on wheels. The record ends with two of the lovely Brentano songs. Strauss's song by now, to my thinking, had become garrulous and soft-shelled, only sometimes charming as in Op.
But Op. One seldom finds a Strauss song reflecting the musical atmosphere of the opera being composed at that time.go to link
8 Gedichte aus 'Letzte Blätter', Op (Strauss, Richard) - IMSLP: Free Sheet Music PDF Download
Lieder 8 , Op. Alexander Zemlinsky took him as a private pupil in Weigl went to school at the Franz-Joseph-Gymnasium and graduated from there in After that, he continued his studies at the Vienna Music Academy , where he became a composition pupil of Robert Fuchs, and also enrolled at the University of Vienna, studying musicology under Guido Adler, having Anton Webern as a classmate. When the Nazis occupied Austria, in , Weigl emigrated to the United States, together with his second wife, Valerie Vally and his son. He obtained a number of increasingly important teaching posts: at the Hartt School of Music , at Brooklyn College, at the Boston Conservatory and, from on, at the Philadelphia Academy of Music.
He was an important early member of ACA.